Showing posts with label galleries. Show all posts
Showing posts with label galleries. Show all posts
Sunday, April 18, 2010
Painterly thing-bits
We've just returned from a quick trip to Canberra to see the 'Masterpieces from Paris' exhibition for the last time.
I don't mind a bit of art; in fact some of the nicest afternoons I spent while travelling around Europe were spent in art galleries, especially when it was raining and our tent was wet and we couldn't find a Maccas.
So despite a clear sky and the complete absence of camping gear (wet or otherwise) I found myself at the National Gallery in Canberra on Friday, with at least 15 trillion other people, checking out a truck-load of Gauguins and one or two by that other guy, whatshisname, van Gogh.
My Mum, who is actually a painter and knows many a thing about art, sacrificed three hours of her life to come with me, knowing full well the time would be filled with such un-funny gags as "Pointillism - what's the point?" and "Impressionism - I'm impressed."
Mum, I owe you a beer.
But while my comments may have been inane, they weren't altogether mystifying, unlike those I heard passing between another mother and daughter team. "Look!" said the younger one, "Lean forward, Mum, right up close! You can actually see the canvas under the dots; seriously, the canvas!"
I still can't figure out what else they thought might be there.
Thursday, January 29, 2009
Quite an impression
Being a unique snowflake I had the startlingly unique idea to go to the Monet exhibition on Monday, its last day. So I lined up with the other half million unique snowflakes who had had the same idea, then bustled, jostled and fairly pushed my way in through the doors when they opened at 9am.There was so much to love about the exhibition: the paintings of Monet's predecessors, the influence of Japanese art, the sheer beauty of Monet's own works. But what I enjoyed the most was my fellow exhibition viewers. Allow me to share some of their insights:
1. Chappy to his friend: "It's funny how the effect changes when you move back." Yes, dear chappy, you're quite right and are thus granted the award for the Most Insightful Comment on Impressionist Painting Ever. Your prize is the Impressionist picture above, provided you can step far enough back to tell me what it is.
2. Earnest husband to earnest wife: "Hm, that one, the Priory at Vauville, where's Vauville?"
Earnest wife to earnest husband: "I don't know. Maybe you could look it up when you get home. It could be your project for the afternoon. You could get your map out."
Two things: 'project' for the afternoon? Was she a) pulling the piss, or b) um, pulling the piss?
Secondly, 'get' his map out? While he's 'getting his map out' and looking for random French towns we'll all be doing quick searches on the interwebs. While he's still looking ("Is it in the Loire Valley? Somewhere near Reims?") we will have made cups of tea, had naps, woken up, made hearty casseroles, eaten them, watched tv, finished a few sudoku, brushed our teeth and gone to bed. Then around the time we wake up the next morning he'll be saying "ah-ha! Normandy! It's in Normandy!" Yes yes, jolly good.
3. And finally, someone who possibly hadn't had enough sleep (or been to sleep at all?) to a guard: "Is this the last day of the exhibition? Right, so it's closing today?"
Yes, it's both of those things.
Monet: marvellous entertainment.
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